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<!--Generated by Squarespace Site Server v5.8.3 (http://www.squarespace.com/) on Fri, 27 Nov 2009 23:40:38 GMT--><rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:rss="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:cc="http://web.resource.org/cc/"><rss:channel rdf:about="http://tantmieux.squarespace.com/lewis-carroll-articles/"><rss:title>lewis carroll articles sadi ranson-polizzotti</rss:title><rss:link>http://tantmieux.squarespace.com/lewis-carroll-articles/</rss:link><rss:description>articles about lewis carroll, a new way</rss:description><dc:language>en-US</dc:language><dc:date>2009-11-27T23:40:38Z</dc:date><admin:generatorAgent rdf:resource="http://www.squarespace.com/">Squarespace Site Server v5.8.3 (http://www.squarespace.com/)</admin:generatorAgent><rss:items><rdf:Seq><rdf:li rdf:resource="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/6/15/animal-rights-and-spirituality-by-sherry-ackerman.html"/><rdf:li rdf:resource="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/6/15/behind-the-myths-by-sherry-ackerman.html"/><rdf:li rdf:resource="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/6/13/technorati.html"/><rdf:li rdf:resource="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/love-as-nonsense-42-seconds-of-cynicism-by-sadi-ranson-poliz.html"/><rdf:li rdf:resource="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/alices-adventures-underground-on-the-tungsten-e.html"/><rdf:li rdf:resource="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/going-underground-what-about-lewis-carroll.html"/><rdf:li rdf:resource="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/lewis-carrolls-and-nabokovs-elusive-nymphet.html"/><rdf:li rdf:resource="http://tantmieux.squarespace.com/lewis-carroll-articles/2006/8/29/what-about-lewis-carroll.html"/><rdf:li rdf:resource="http://tantmieux.squarespace.com/lewis-carroll-articles/2004/12/19/42-seconds-underground-the-photography-of-lewis-carroll.html"/></rdf:Seq></rss:items></rss:channel><rss:item rdf:about="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/6/15/animal-rights-and-spirituality-by-sherry-ackerman.html"><rss:title>animal rights and spirituality by sherry ackerman</rss:title><rss:link>http://tantmieux.squarespace.com/lewis-carroll-articles/2008/6/15/animal-rights-and-spirituality-by-sherry-ackerman.html</rss:link><dc:creator>sadi ranson-polizzotti</dc:creator><dc:date>2008-06-15T21:00:23Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img src="http://tantmieux.squarespace.com/storage/dressage.jpg" mce_real_src="http://tantmieux.squarespace.com/storage/dressage.jpg" alt="dressage.jpg" /></span>&nbsp; <br />&nbsp; <br /><br />The book you see above represents an incredible act of courage and vision. In 1997, when Dressage in the Fourth Dimension was originally published, bestsellers like Susan Chernak McElroy&rsquo;s Animals as Teachers and Healers and Monty Roberts&rsquo;s The Man Who Listens to Horses were a couple of years away from becoming bestsellers.]]></content:encoded></rss:item><rss:item rdf:about="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/6/15/behind-the-myths-by-sherry-ackerman.html"><rss:title>behind the myths by sherry ackerman</rss:title><rss:link>http://tantmieux.squarespace.com/lewis-carroll-articles/2008/6/15/behind-the-myths-by-sherry-ackerman.html</rss:link><dc:creator>sadi ranson-polizzotti</dc:creator><dc:date>2008-06-15T20:51:02Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[What&rsquo;s the buzz? Tell me what&rsquo;s happening!&nbsp; It seems like there is a lot of talk right now about something called &ldquo;the Carroll Myth&rdquo;.&nbsp; The Association for New Carroll Studies, for example, claims that the current image of Lewis Carroll was built on a handful of influential books that emerged in the century following his death. The Association is not so much saying that these biographies are inherently wrong as they are claiming that they are incomplete. They treat Carroll superficially, with almost exclusive emphasis on conventionality. It is as if Carroll is &ldquo;Ozzie&rdquo; in the old &ldquo;Ozzie and Harriet&rdquo; series, without any real attention to the more subtle nuances&hellip;the subjective elements&hellip;that made him whole. In a Heideggerian sense, there hasn&rsquo;t been a sufficient search for the authentic Carroll.]]></content:encoded></rss:item><rss:item rdf:about="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/6/13/technorati.html"><rss:title>technorati</rss:title><rss:link>http://tantmieux.squarespace.com/lewis-carroll-articles/2008/6/13/technorati.html</rss:link><dc:creator>sadi ranson-polizzotti</dc:creator><dc:date>2008-06-13T18:56:25Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<a href="http://technorati.com/claim/t4bshs5s5h" rel="me">Technorati Profile</a>]]></content:encoded></rss:item><rss:item rdf:about="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/love-as-nonsense-42-seconds-of-cynicism-by-sadi-ranson-poliz.html"><rss:title>love as nonsense | 42 seconds of cynicism by sadi ranson-polizzotti</rss:title><rss:link>http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/love-as-nonsense-42-seconds-of-cynicism-by-sadi-ranson-poliz.html</rss:link><dc:creator>sadi ranson-polizzotti</dc:creator><dc:date>2008-05-18T20:35:35Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<br><br>In 1856, Lewis Carroll tipped his hand concerning his rather satirical views about love in a piece that appeared in the Train entitled “Novelty and Romancement”.]]></content:encoded></rss:item><rss:item rdf:about="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/alices-adventures-underground-on-the-tungsten-e.html"><rss:title>Alice's Adventures Underground on the Tungsten E</rss:title><rss:link>http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/alices-adventures-underground-on-the-tungsten-e.html</rss:link><dc:creator>sadi ranson-polizzotti</dc:creator><dc:date>2008-05-18T16:19:08Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img src="http://tantmieux.squarespace.com/storage/lc%20alice%20liddell%20seated.jpg?__SQUARESPACE_CACHEVERSION=1211143300371" mce_real_src="http://tantmieux.squarespace.com/storage/lc%20alice%20liddell%20seated.jpg?__SQUARESPACE_CACHEVERSION=1211143300371" alt="lc%20alice%20liddell%20seated.jpg" /></span>I can understand what it is like to have fallen down the rabbit hole in a number of ways and can relate to our dear Alice as she makes her way through the myriad gardens in Alice's Adventures Underground (the original title of Alice in Wonderland). Who would have ever thought I'd be reading this of all books on a device no larger than the size of my palm (hence the name) on a Tungsten E series, the pages scrolling effortlessly before me as I sit bumping along on the subway, garnering strange looks from the curious, and reading the next book on my list.]]></content:encoded></rss:item><rss:item rdf:about="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/going-underground-what-about-lewis-carroll.html"><rss:title>going underground | what about lewis carroll?</rss:title><rss:link>http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/going-underground-what-about-lewis-carroll.html</rss:link><dc:creator>sadi ranson-polizzotti</dc:creator><dc:date>2008-05-18T16:14:13Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[Biography, like any form of character study, is a post-mortem; the autopsy of the literary world. A good biographer, like a good pathologist, will bring the right tools to the table, know where to dig and how to identify what he finds, how to weigh it and give it its proper consequence. The writer, at best, need be an objective observer &ndash; though none of us is truly objective. <br />]]></content:encoded></rss:item><rss:item rdf:about="http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/lewis-carrolls-and-nabokovs-elusive-nymphet.html"><rss:title>lewis carroll's and nabokov's elusive nymphet</rss:title><rss:link>http://tantmieux.squarespace.com/lewis-carroll-articles/2008/5/18/lewis-carrolls-and-nabokovs-elusive-nymphet.html</rss:link><dc:creator>sadi ranson-polizzotti</dc:creator><dc:date>2008-05-18T16:08:45Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<span class="full-image-float-left"><img src="http://tantmieux.squarespace.com/storage/lc%20julia.jpg" mce_real_src="http://tantmieux.squarespace.com/storage/lc%20julia.jpg" alt="lc%20julia.jpg" /></span>For as long as I can remember, I have loved the work of Nabokov. I remember reading <i>Pale Fire</i> and then Ada or Ardour when i was still a teenager - heavy stuff for that age, or so it seemed to me. While most readers had started or been introduced to Nabokov with his book and later his film, <i>Lolita</i> (with Sue Lyons and Charles Mason), i had started with the lesser known works, and eventually led up to Lolita, often considered the more perverse of his books and to some, an advertisment for]]></content:encoded></rss:item><rss:item rdf:about="http://tantmieux.squarespace.com/lewis-carroll-articles/2006/8/29/what-about-lewis-carroll.html"><rss:title>what about Lewis Carroll?</rss:title><rss:link>http://tantmieux.squarespace.com/lewis-carroll-articles/2006/8/29/what-about-lewis-carroll.html</rss:link><dc:creator>sadi ranson-polizzotti</dc:creator><dc:date>2006-08-29T14:14:58Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[Biography, like any form of character study, is a post-mortem; the autopsy of the literary world. A good biographer, like a good pathologist, will bring the right tools to the table, know where to dig and how to identify what he finds, how to weigh it and give it its proper consequence. The writer, at best, need be an objective observer – though none of us is truly objective.]]></content:encoded></rss:item><rss:item rdf:about="http://tantmieux.squarespace.com/lewis-carroll-articles/2004/12/19/42-seconds-underground-the-photography-of-lewis-carroll.html"><rss:title>42 seconds underground | the photography of lewis carroll</rss:title><rss:link>http://tantmieux.squarespace.com/lewis-carroll-articles/2004/12/19/42-seconds-underground-the-photography-of-lewis-carroll.html</rss:link><dc:creator>sadi ranson-polizzotti</dc:creator><dc:date>2004-12-19T17:18:38Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[When his mother's brother, Skeffington Lutwidge, first introduced Charles Lutwidge Dodgson (more popularly known as Lewis Carroll, author of Alice in Wonderland, originally Alice's Adventures Underground to photography in 1856, it was considered no more than "a fashionable pastime that allowed gentlemen to demonstrate their interest in technology, chemistry, and optics, as well as to reveal their artistic tendencies." (11, Princeton ).]]></content:encoded></rss:item></rdf:RDF>