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moving the river

Posted on Sunday, February 24, 2008 at 05:32PM by Registered Commentersadi ranson-polizzotti | Comments2 Comments

The viaduct is not listening.
It simply passes by easily as if it had witnessed nothing.
Not I, it whispers. No lovers’ tales told:
It is your best-friend and ally –
     so easy to forget what I know you remember.
Even the wrought iron bench has a memory all its own…
One midsummer’s afternoon two lovers came ….
     & etc…
That day, she flipped his hands skyward,
noted the forked love-line, a tributary forming
she of whose love he knew and returned.
When they kissed the spell was cast.
I will love you to the last, the last, the last…
This really happened. The musk tree remembers,
drops it’s first frost fruit as summer ends awfully.

Reader Comments (2)

This I love: the viaduct turns up, as do rivers and certain themes in your work on a regular basis, but they work for you. It's become almost a trademark; that said, I would trade it sometimes for stronger effect, but some of your best work is about this particular place.

May 22, 2008 | Unregistered Commenterchris
hi chris- it's hard for me to not have certain places turn up repeatedly in my work because they have such a strong resonance with me but at the same time, i don't want them to turn up because i want something to be different and write about something new for fuck's sake and stop being so boring, you know? Because heartache etc is boring in some ways and unless you do it really well, which is hard, then you lose. As a poet, you lose. Although, that said, the key thing is to be understood and universal, i think. I don't know anymore. I wonder about many things - what I know, what i do know, is that poetry is meant to be read and read aloud. Because you have dubbed this one, I shall record an mp3 of it at some point and post it to the site.... it's the best of this particular lot. cheers, and be well, s.r.p.

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